Rolex Learning Center by SANAA, Lausanne, Switzerland


Video is made by the Proudfoot Company

The Rolex Learning Center, a university and study centre is designed by the acclaimed Japanese firm  SANAA. The centre is located on the campus of science and technology university EPFL in Switzerland (Ecole Polytechnique Fédérale de Lausanne), and is open to both students and the public.

The Rolex Learning Center will function as a laboratory for learning, a library with 500,000 volumes and an international cultural hub for EPFL, open to both students and the public. Spread over one single fluid space of 20,000 sq metres, it provides a seamless network of services, libraries, information gathering, social spaces, spaces to study, restaurants, cafes and beautiful outdoor spaces.

It is a highly innovative building, with gentle slopes and terraces, undulating around a series of internal ‘patios’, with almost invisible supports for its complex curving roof, which required completely new methods of construction.

The building is rectangular in plan, but appears to be more organic in shape because of the way that its roof and floor undulate gently, always in parallel. With few visible supports, the building touches the ground lightly, leaving an expanse of open space beneath which draws people from all sides towards a central entrance.

More information via:
+ The rolex Learning Center
+ Dezeen
+ Designboom
+ Archdaily

VISIT SANAA

Villa Mecklin by Huttunen Lipasti Pakkanen Architects, Finland

Villa Mecklin designed by Huttunen-Lipasti-Pakkanen Architects is located in the Finnish archipelago and was built in 2008.

It sits in a small depressions in the rock, its sheltered terrace extending over the summit of the rock.  In connection with the shoreline sauna, there is also a stove-heated cabin for guests.

The building materials selected for Villa Mecklin are uncontrived, basic ones suited for the archipelago. All wood surfaces have been left untreated and will turn grey naturally.

The floor area of the villa is 70m2 and the sauna is 20m2.

Via Huttunen-Lipasti-Pakkanen Architects

VISIT HUTTUNEN LIPASTI PAKKANEN ARCHITECTS

House 6 by Marcio Kogan, São Paulo, Brazil

Brazilian architect Marcio Kogan has recently completed this house in São Paulo, Brazil.

The House 6 project was thought out after the client had made an important request. The family wanted a covered external space to be used for everyday living. This space should be used to organize all the social life of the house.

The Brazilian tropical climate suggests ample use of these solutions in vernacular as well as in modern architecture.  Beginning from the colonial, Brazilian architecture has usually incorporated a space that was known as the veranda. Verandas are covered linear spaces in front of the living room and bedrooms which act as the intermediary between the interior and exterior.

In the House 6 project, the idea of the veranda has been reinvented. The veranda is not exactly in front of the living room, disposed longitudinally, but, rather, perpendicular to it. The wooden pillars that give support to the structure and the clay tiles of traditional verandas have been substituted by modern pilotis that support a volume of flat slabs.

The veranda of House 6, nonetheless, still remains an open space and, simultaneously, opens to the garden and the pool. It is a living room, a TV room and an extension of the internal kitchen.

This space, then, structured the entire architecture of the house, organized in two transversal volumes and an annex in the back that holds a home office. The lower volume houses the utilities, the kitchen and the living room with door-frames that can be recessed into the walls, and thereby entirely opening the internal space to either side.  This sets the cross-ventilation and an unfettered contiguous view of the garden.

The upper volume has the private area of the house with the bedrooms and, on the third floor there is a small multiple-use living room alongside an upper deck.

Architecturally, the space of the veranda, located under the bedrooms, would have a low ceiling-height, to create a warm feeling. The sum of the structure of the two perpendicular volumes and the living room ceiling-height would result in a very high ceiling.

Thus, it was decided to make the living room lower in relation to the veranda and the garden. This result made it possible to have a house with elongated proportions and the viability of a covered external pleasant space to be used on both warm and cool days in the city of São Paulo.

Via Contemporist
Photographs are made by Rômulo Fialdini

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Hidden House by Standard, Los Angeles, USA

“We’re thrilled with the way the house evolved,” adds Standard Principal and Co-Founder Silvia Kuhle. “Hidden House offers the ultimate country living experience in the middle of an urban environment.”

Los Angeles firm Standard has recently won the Single Family Housing category at the 40th Annual Los Angeles Architectural Awards with their project “Hidden House”.

Hidden House is located on a serene 7-acre site (in Glassell Park where the paved road ends at an old hand written sign marking the entrance to “Hidden Valley.”) The property, which can only be accessed via a half-mile unpaved road, offers expansive views of the city but seems a world away from Los Angeles at the same time.

Anticipating city restrictions associated with building on a site far removed from the street, Standard opted to keep the structure of the existing two-bedroom house substantially intact. At the same time the architects designed an entirely new home around the original space.

Today, the original two-bedroom cottage is incorporated into the house as the living and dining room. Standard added a new kitchen, family room, office, garage, master bedroom suite and kids bedroom, essentially doubling the volume of the house from 1580 sf to 3500 sf. The new house is arranged around two main courtyards. The main living spaces open up onto the interior courtyard, while the exterior courtyard looks out over the city in the distance. The self-contained cubes are arranged around the original footprint in such a way that they make order of the disorder. At a later date, the family may add on additional bedrooms per their original plan.

Hidden House also features several sustainable materials and features, ranging from the redwood cladding, to reclaimed endgrain block wood, to the cork flooring in the office, and highly efficient appliances/equipment. The design allows for excellent cross ventilation and day lighting, reducing the need to run forced-air conditioning or heat or energy-consuming electrical lighting. The house is insulated with sustainable cotton and built to be solar-ready. The garden is planted with native landscape and vegetables.

Photographs by Benny Chan

VISIT STANDARD

Mountains and Opening House by EASTERN Design Office, Takarazuka, Japan

The lower floor fully utilizes the slope of the mountain. The hidden areas become mountains、while the areas that is required light become valleys. These rolling undulations are all part of the design.

Japanese architects of EASTERN Design Office completed a studio supported above the residence on two mounds of crushed marble.

The project is located in Takarazuka city and is a home and studio for a footwear designer. The living areas are on the lower floor, sheltered on three sides by the earth of the sloping site.

The outside (exterior) mountain is formed into a mound by piling up soil excavated from the slope. The surface of the mound is a type of raw material made from crushed marble called “Kansui”. Glittering fragments of crushed marble on a whity surface shine brilliantly. There are two white mountains. The living quarters are inside the white mountain while atop the white mountainous wave is a deck.

One of the two white mountains functions as a structural support for this building, while the other mountain conceals the bathroom. These two mountains are also set into the living spaces of the residential quarters. More info via dezeen..

Photographs are made by Koichi Torimura.
Via Dezeen

Other projects of EASTERN Design Office on ArchiDE:

+ Slit House by Eastern Design Office, Shiga, Japan

VISIT EASTERN DESIGN OFFICE

Notariaat by Atelier Vens Vanbelle, Horebeke, Belgium

The peaceful landscape is framed through the windows like colourful paintings in the white interior.

Belgium based architects Atelier Vens Vanbelle , completed this awesome project in a small village called, Horebeke in Belgium. The office building has a brick facade broken by huge windows overlooking the surrounding farmland.

The offices, waiting room and kitchen open out to the views on two sides, turning away from the adjacent street and restaurant.

Here are some more details from the architects:

The building site is situated at the end of a small street in the small village of Horebeke in the Flemish Ardennes, next to a restaurant. The view from the site is splendid: the landscape slopes slowly and offers an overview to an untouched agricultural area spread over two kilometers.

This kind of impressive landscapes asks for discrete admiration, just like the design assignment itself.

A notary must be a building that establishes itself in a neutral way and it should be accessible for each type of visitor. We believe building in a landscape like this asks for the same kind of neutrality. This was translated in a rough brick volume which is semi-closed to the street side and the restaurant.

The entrance to the building is marked by a white volume made of steel plates. Walking through this white volume, the visitor enters a corridor looking out over a patio on the right side.

On the left side the corridor bends to the waiting room which opens cone-shaped to the landscape. The kitchen and the offices open in a similar way to the outside. The peaceful landscape is framed through the windows like colourful paintings in the white interior.

The back of the building cantilevers over the sloping terrain. The staff can park under the building and the cars form no visual obstruction from within the building.

Special thanks to Maarten en Dries for sharing!

You can download the project in a pdf on their website or click here

VISIT VENS VANBELLE

House VVDB by dmvA, Mechelen, Belgium

Belgium Architects dmvA completed this interior for a post-modern pyramid house in Mechelen, Belgium.

VVDB house was mentioned as a statement for the eighties, since it has the main characteristics of eighties period building in Flanders, Belgium. The characteristics can be seen from the roof-type, symmetrical ground plan, wooden structure, honest materials, the use of cement stone, and many-colored aluminum joinery.

In the eighties architect Jan Van Den Berghe built his own house on a marvellous spot, close to the channel Mechelen-Brussels. Roof-type, symmetrical ground plan, wooden structure, honest materials, the use of cement stone and many-coloured aluminium joinery, were the main characteristics of this period building periode in Flanders.

The post-modern pyramid house was a statement for the seventies/eighties. Architect Van den Berghe requested dmvA to refurbish his own house for his daughter. No spectacular alterations, but subtle interventions, round perforations through the floors, a new central spiral stair, ‘whitening’ of the floors. Altogether an architectural attitude based on respect!

More info and pictures on Archdaily!
Pictures by Frederik Vercruysse

Other articles of DMVA on ArchiDE:
+ Blob vB3 by DMVA
+ House S by dmvA Architecten, Mechelen, Belgium

VISIT dmvA ARCHITECTS

Earl’s Gourmet Grub by FreelandBuck, Los Angeles, USA

FreelandBuck projected Earl’s Gourmet Grub, an artisanal deli and gourmet market in Los Angeles, USA.

Architectural computation is generally promoted in relation to high-tech building systems and iconic towers. Earl’s Gourmet Grub is a test case in how computational architecture can enrich everyday use. The restaurant was designed with contemporary technology to fit an old-world sensibility inspired by its food. Torquing ceiling surfaces and inscribed digital patterns are combined with a rich material and color palette to evoke both technological refinement and the more rustic feel of alpine landscapes and Viennese cafes.

Earl’s is an artisanal deli and gourmet market that opened in May 2010 in Los Angeles. The 1000sf. tenant improvement is conceived of as an interior landscape; a variable and shifting space defined by a series of torqued ceiling surfaces and light ’scoops’. The ceiling creates an airy, light-filled canopy with local intensities modulated by wood ‘baffles’ of oscillating depth. These rhythmic undulations both subdivide the linear space into a series of spatial pockets and produce dynamic spatial continuity from front to back.

The clients, Yvonne McDonald and Dean Harada, requested a contemporary architectural identity but one that evoked the rustic or alpine qualities of the fresh ingredients used in the food. The west wall, which spans the entire depth of the space, is embossed with an image of the Alps abstracted as a series of rectangular computational ‘bits’. The result – alpine picturesque run through a computational filter – evokes neither pure landscape nor pure technology, opening up a wider range of associations.

Photography by Lawrence Anderson/Esto

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Museum Aan de Stroom by Neutelings Riedijk Architects in Antwerp, Belgium

The new Museum Aan de Stroom (MAS), designed by Rotterdam-based Neutelings Riedijk Architects as a sixty-meter-high tower landmark in Antwerp, Belgium, has recently been completed! During one week in May, the public could visit the new building on guided tours but ow the MAS will be closed for another year to move the collection and set up the exhibitions. The official opening is in Spring 2011.

The new museum is between the old docks in the heart of “Het Eilandje”. This old port area is the major urban renewal project in the center of Antwerp and is developing as a vibrant new city district. More information via Bustler

Program: New Development | Museum for City History Antwerp, Museum, Restaurant, Party Room, Pavilions, Plaza
Surface area: 19,557 m2 Floor surface, 11,415 m2 Outdoor construction
Construction costs: € 33.409.000 (including construction of the pavilions and plaza, excluding design, scenography, VAT, fees and indexing)
Location: Hanzestedenplaats | 2000 Antwerp | Belgium
Design: International Competition | 1st Prize | April 2000
Start construction: October 2006
Realization: February 2010
Architectural design: Neutelings Riedijk Architects | Rotterdam | The Netherlands

Photography by Sarah Blee

VISIT NEUTELINGS RIEDIJK ARCHITECTS

Kilico hair salon by Makoto Yamaguchi,Tokyo, Japan

Japanese architect Makoto Yamaguchi has completed a hair salon in the basement of a Tokyo building, showcasing the patchwork of alterations made by previous occupants of the space. Called kilico., the project involved patching the floor to make it flat and coating the various textures of the walls with white paint. The hair salon is located Daikanyama, one of Tokyo’s trendiest areas.

Some more information from the architect:

Even though the interior layout had basically remained the same, there were many traces left behind by previous occupants on the floor and walls – a flat mortar wall next to an unfinished concrete block wall, and a whole host of dents and depressions of various sizes in the coarse concrete floor. We decided to leave these textural details intact and incorporate them into the design for the new salon, so we painted the walls over in white and filled the depressions of various sizes with mortar.

Looking at the white wall that extends downwards from the ceiling until the floor, for example, you can see an entire gradient of different textures. The surface of a concrete block gradually changes into a surface riddled with holes that probably appeared when it was dismantled, which then segues into a panel with a completely flat and even finish, ending up as a fairly flat surface at the very bottom. After we had filled the depressions in the floor with mortar in order to make it flat, a map-like pattern emerged – what we call a “time map”.

The design of ‘kilico.’ is based on these vestiges of past “time” – traces of previous incarnations of this building that have been given a new lease of life.

Photos by Ken’ichi Suzuki.

VISIT MAKOTO YAMAGUCHI

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Thema: Esquire door Matthew Buchanan.

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