| House by MooMoo Architects, Łódź, Poland

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The Polish architects MOOMOO, designed a house that will be clad entirely out off a plastic insulating material normally used for roofing. The construction will be located in Łódź, Poland and is based on a traditional Polish house but the roof rises steeply towards one end of the building.

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Some text from the architect

It is the first house whose elevation has been made entirely of a plastic insulating material -Thermopian. Usually, this material has been used only for roofing. Thermopian has good thermal, acoustic and insulating properties and it can have any required colour.

We were intent on the house form to relate to the proportions of a Polish house but at the same time we wanted it to be simple and redefined. One distinctive leaning wall is a result of a compromise between a simple shape and the local law, which requires building in line with plot borders.

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Via Dezeen

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More projects on MOOMOO architects, click here

Opening Toronto Waterfront by WEST8, Canada

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In June 2006, West 8 and DTAH received the prestigious recognition in winning the Toronto Central Waterfront Innovative Design competition. The basic and focal points of the plan are the connectivity between the vitality of the city and the lake and a continuous, publicly accessible waterfront.

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Waterfront Toronto, together with the Government of Canada, Province of Ontario and City of Toronto, officially opened the Simcoe WaveDeck, the second and most dramatic urban dock, designed by West 8+DTAH, being built along Toronto’s central waterfront.

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The Simcoe WaveDeck, one of four uniquely Canadian wavedecks planned for the area, is as artistic as it is functional. Located just west of Simcoe Street at the water’s edge, the wooden wavedeck features an informal public amphitheatre-style space with impressive curves that soar as high as 2.6 metres above the lake.

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02Built in less than eight months, the Simcoe WaveDeck joins the Spadina WaveDeck which opened last year in creating more public space along one of the most heavily used parts of the Toronto shoreline. Construction of the third wavedeck at Rees Street is well underway and will open in August.

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The wavedecks are just one part of Waterfront Toronto’s award-winning design for the central waterfront. The plan designed by West 8+DTAH also includes a continuous water’s edge promenade and boardwalk; a series of pedestrian footbridges connecting major attractions on the waterfront, and the transformation of Queens Quay into a pedestrian-friendly, grand boulevard.

Here’s a short video with designed and architect Adriaan Geuze from West8

Copyright- Pictures and info from West 8 urban design & landscape architecture

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The Melbourne Recital Centre by ARM, Melbourne, Australia

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Ashton Raggatt McDougal (ARM) architects designed the Melbourne Recital Centre and the neighbouring Melbourne Theatre Company helping to transform the formerly derelict Southbank area of the city in to the dynamic district it has now become. Formely they got honoured with the 2009 Victorian Architecture Medal winning highest accolades in three categories for public architecture, interior design as well as urban design.

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The entrance begins with the dramatic facade in 3D iridescent steel tubing folds that bends against black aluminium. The interior, is a 500-seat hall noticeably without a balcony or mezzanine space, but still allowing exceptional site lines to the stage regardless.

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The most striking element that you can find inside, is the World Wall in the main theatre where 70 quotes from different plays are illuminated when the stage is dark. The building also houses a full rehearsal hall that can be used as an event space or a smaller performance space, as well as a café and bar at the front of the house.

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Short news text about the award:

The recital centre and MTC buildings by ARM and the urban transformation of their formerly neglected Southbank site are honored with the 2009 Victorian Architecture Medal for successfully crossing design boundaries and taking out the top awards in three categories: the William Wardell Award for public architecture; th

e Marion Mahony Award for interior architecture and the Joseph Reed Award for urban design.

Chair of juries, Philip Goad, says the combined buildings make a significant contribution to Melbourne’s arts precinct and may well expand current audiences, sentiments echoed in the Victorian Medal jury citation.

“The robust sculptural facades have already become iconic and the changes to traffic and pedestrian patterns at an urban level have transformed the area into an active domain,” praised the jury.

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Photos by John Gollings

Via Bustler

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House conversion in Bruges by 51N4E Architects, Belgium

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51N4E architects, converted and old shop into a contemporary weekend home in the old centre of Bruges in Belgium! The facade and the assets of the old house were kept intact. In the back, the architects designed a wooden organic room. The double- height space is entirely covered in timber planks, start of as an arch which gradually lifts asymmetrically towards the back, framing the tall trees of a the neighboors garden.

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5Interesing about the interior is the contrast between the old stair and the shiny super furniture that is new designed. The confrontation between the historical and contemporary is what makes this project so special. More pictures can be downloaded here!

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Images are made by Lindman Åke E:son

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Penthouse Container Housing by HŠH architekti, Prague, Czech Republic

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HŠH architekti designed this interesting extension for a residential construction in Prague, Czech Republic. The extension was completed in 2007. The following text and info is from the architect.

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Text fromt he architect:

The extension comprises two containers wedged into the roof as a contrasting feature but the original shape of the building remains legible. The containers encase dwelling areas and social and technical facilities arranged in two storeys. The remaining part of the existing attic is used as bedrooms and walk-in wardrobes. The inserted boxes can be closed from the interior with folding walls and transformed into compact shapes. The walls include large openings for a view outside – “eyes” that can also be closed.

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The selection of material is based on the architectural concept of this design. The original parts of the roof are restored with traditional technologies. To highlight the contrast, inserted boxes are covered with titanium and zinc sheet metal finished with glossy resin paint.

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3.1 PHILLIP LIM Boutique & Showroom, Los Angeles

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PARA ProjectGiancarlo Valle designed the this 3.1 Phillip Lim Boutique & Showroom that is located near the Melrose shopping neighborhood. The new 3.1 Phillip Lim store and showroom announces the designer’s west coast debut with the transformation of 5000 square foot auto body shop into a flowing interior. The experience is a curious indulgence taking clients from the sunny LA sky into the intimate ambiance of Phillip Lim.

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Introducing a thick curving wall in the existing building, the large space unfolds into four smaller niches. A single, continuous light-diffusing membrane floats above the space adding to the intimate atmosphere while giving the space a sense of lightness.

A pyramidal texture on the curving wall is actually soft to the touch creating a sensation of being both hard and soft. The smaller niches are each lined with different materials (wallpaper, Spanish cork, leather herringbone and bamboo) creating a variety of tactile vignettes for the clothing to be displayed in.

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As an alternative to the typical window display, the exterior façade has no openings except the entrance. Instead of windows, the façade is surfaced in a stark yet supple pattern of concrete tiles shaped like pillows.

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Via Coolboom/ More info and pictures, click here

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Platoon Kunsthalle by Platoon + Graft Architects, Seoul, Korea

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The PLATOON KUNSTHALLE opened its doors on 11th april this year and is set up in seoul as a space for subculture in Asia. Its programmatic orientation towards cultural movements beneath the radar creates a dynamic space where new ideas are born and presented.

The structure is built from 28 standard shipping containers by Graft Architects as a icons of a flexible architecture in a globalized culture. The stacked containers forms a unique construction that can be rebuilt anywhere at any time. The PLATOON KUNSTHALLE provides showcases of underground artists, studio residencies and a fine selection of cutting-edge stage performances to introduce the energetic potential of subculture in Korea and Asia.

More info @Archdaily!

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Concept Design: Platoon Cultural Development
Location:  Seoul, Korea
Architectural Consultancy: Graft Architects and Baik Jiwon
Program: Exhibitions, Bar & Restaurant, Event Hall, Artist Studios, Library Lounge, Office Studios, Workshop Room, Roof Top Bar
Project year:  2008-2009
Photographs:  Platoon

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Via Archdaily!

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Porsche Museum by Delugan Meissl Associated Architects, Stuttgart

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The Porsche Museum in Stuttgard, Germany, is designed by Delugan Meissl Associated Architects and houses around 80 chronologically- arranged vehicle exhibits.

The new museum enlightens the visitor in an impressive, clear, and interesting manner about the entire history of what is now Dr. Ing. h.c. F. Porsche AG. Production cars have been just as important to the name recognition of the Porsche brand as many vehicles designed specifically for racing. Porsche designs have had an impact on individual mobility even in the early years of motorization.

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The exhibition layout provides separate exhibit areas for the two periods before and after 1948. “Porsche Idea,” “Product History,” and “Thematic Islands” are the three core elements of the museum concept. Visitors making their way through the exhibition will often find these three main elements thematically interlinked:  “Porsche Idea“ , “Product History” and the “Thematic Islands”.

Fascinating about the architecture, isthe impact of the monolithic and the virtually floating exhibition hall. This bold and dynamic architecture reflects the company’s philosophy and provides a foretaste of the experience that awaits visitors to the future museum. It is designed to convey a sense of arrival and approachability, and to guide the visitors smoothly from the basement level into the superstructure.

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In their design, the architects at Delugan Meissl set out to create a place of sensuous experience that reflects the authenticity of Porsche products and services as well as the company’s character, while also reshaping Porscheplatz with an unmistakable appearance.

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The Exhibits

About 80 vehicles and many small exhibits will be on display at the new Porsche Museum in a unique ambience. In addition to world-famous, iconic vehicles such as the 356, 550, 911, and 917, the exhibits include some of the outstanding technical achievements of Professor Ferdinand Porsche from the early 20th century. Even then, the name of Porsche stood for the commitment never to be satisfied with a technical solution that fails to fully meet or exceed all of its requirements, including opportunities for further improvement.

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From the lobby, visitors ascend a spectacular ramp to the entrance of the spacious exhibition area, where they can gain an initial overview of the impressive collection.

Here the visitor is free to choose whether to start chronologically with the company history before 1948, or to head directly into the main area of the exhibition, which contains a chronological history of Porsche products and thematic islands. Both areas are interlinked by the “Porsche Idea” section, which forms the backbone of the exhibition.

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The Idea section explains what makes the various themes and exhibits so unique. It tells of the spirit and the passion that motivate the work at Porsche, and pays tribute to the company as well as the people behind the product.

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More info in dutch, click here

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More automotive stories on ArchiDE:

- BMW Museum by Atelier Brückner, Munich, Germanya
- Mercedes- Benz Museum by UNStudio, Stuttgart, Germany

JS Bach Chamber Music Hall by Zaha Hadid Architects, Manchester

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A few weeks ago, Zaha Hadid Architects have built an installation at Manchester Art Gallery to house the performances of music by Baroque composer Johann Sebastian Bach.

The structure, a translucent, fabric membrane stretched over a steel structure suspended from the ceiling divides and encloses the space, creating a stage, enclosure for the audience and passages into and out of the auditorium. The installation is designed for the Manchester International Festival, the venue hosts a series of concerts which started last Friday and continue until 18 July. Concert details are on the MIF website.

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The following is from Zaha Hadid Architects:

A voluminous ribbon swirls within the room, carving out a spatial and visual response to the intricate relationships of Bach’s harmonies. As the ribbon careens above the performer, cascades into the ground and wraps around the audience, the original room as a box is sculpted into fluid spaces swelling, merging, and slipping through one another.

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“The design enhances the multiplicity of Bach’s work through a coherent integration of formal and structural logic. A single continuous ribbon of fabric swirls around itself, creating layered spaces to cocoon the performers and audience with in an intimate fluid space.” said Hadid.

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The process of realizing the design involved architectural considerations of scale, structure and acoustics to develop a dynamic formal dialogue inseparable from its intended purpose as an intimate chamber music hall.

A layering of spaces and functions is achieved through the ribbon wrapping around itself, alternately compressing to the size of a handrail then stretching to enclose the full height of the room. Circulatory and visual connections are continually discovered as one passes through the multiple layers of space delineated by the ribbon. The ribbon itself consists of a translucent fabric membrane articulated by an internal steel structure suspended from the ceiling. The surface of the fabric shell undulates in a constant but changing rhythm as it is stretched over the internal structure.

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It varies between the highly tensioned skin on the exterior of the ribbon and the soft billowing effect of the same fabric on the interior of the ribbon. Clear acrylic acoustic panels are suspended above the stage to reflect and disperse the sound, while remaining visually imperceptible within the fabric membrane.

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Images courtesy of Zaha Hadid Architects, © Luke Hayes.

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House in Nagoya2 by Suppose Design office, Japan

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Japanese architects Suppose Architects have completed a residence house in Nagoya, Japan. The house, featuring a room that is dedicated to plants is accommodates the client’s desire for a vibrant garden bordering the main living space down stairs.

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This home is built on a small, narrow plot surrounded by other houses, making the location less than ideal. Responding to the client’s desire to have a vibrant garden we suggested a design featuring a room for plants, a “garden room” in other words.

Essentially, in this home the garden, which usually exists in the so-called exterior, is incorporated into the interior as landscaping to surround the tenant’s living space.

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It was our intention to treat rooms and gardens as equivalent, and make the relationship between inside and out closer, by creating a design featuring this garden-like room so that things normally decorating a room such as art, books, and furnishings would in a way almost be thrust into an exterior space.

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Rather than a design that begins to grow stale as soon as it is completed, through this design featuring the constantly changing and vibrant “garden room” we hope that the tenants daily lives will be richer than before.

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12Using this design as a starting point, we hope that words such as garden and landscape that had only been used for exteriors can begin to take on new and varied meanings, bringing vibrant and beautiful scenery into the interior of homes as well, and make architectural aesthetics more and more diverse.

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Via rolu.terapad.com/ Text From SUPPOSE DESIGN OFFICE!

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Blog op Wordpress.com.
Thema: Esquire door Matthew Buchanan.

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