Aesop Armadale Shop by Ryan Russell, Australia

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Aesop’s newest store in Armadale, Australia, had been designed by Paphitis in cooperation with Melbourne architect  Ryan Russell.

The store is located in a very small space but it offered enormous potential according to the architects. We made use of light, colour and texture instead of focusing on size. The design allows Aesop products to be displayed both inside and outside the store,connecting us to the street.’

Just like the Aesop shop that is located in Sydney, the largest walls of the shop are used to display the Aesop’s products.

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Via yatzer

CLICK, FOR MORE AESOP SHOPS ON ARCHIDE

The Yas Hotel Abu Dhabi by Asymptote Architecture

yas hotel by asymptote

The Yas Hotel by Asymptote architects is nearing completion in Abu Dhabi, UAE.  

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The building forms part of the Yas Marina development for a new Formula One circuit. The race track will pass through the complex under a bridge that links the two towers of the hotel. A canopy made of steel and diamond-shaped, glass panels will be supported over the towers and bridge.

asymptote yas hotel Info from the architect:

The Yas Hotel is a 500-room, 85,000-square-meter complex now under c

onstruction by Aldar Properties PJSC. Asymptote was awarded the commission to design the buildings and environs from a closed competition two years ago targeting an opening date of October 30, 2009 to coincide with the Formula 1 Etihad Airways Abu Dhabi Grand Prix.

yas hotel by asymptote

yas hotel by asymptote

The Yas Hotel is one of the main architectural features of the ambitious 36-billion-dollar Yas Marina development and accompanying Formula 1 raceway circuit, also near completion. Asymptote’s founders and partners Hani Rashid and Lise Anne Couture envisioned an architectural landmark embodying various key influences and inspirations ranging from the aesthetics and forms associated with speed, movement and spectacle to the artistry and geometries forming the basis of ancient Islamic art and craft traditions.

yas hotel by asymptoteOf architectural and engineering significance is the main feature of the project’s design, a 217-meter expanse of sweeping, curvilinear forms constructed of steel and 5,800 pivoting diamond-shaped glass panels. This Grid-Shell component affords the building an architecture comprised of an atmospheric-like veil that contains two hotel towers and a link bridge constructed as a monocoque sculpted steel object passing above the Formula 1 track that makes its way through the building complex. The Grid-Shell visually connects and fuses the entire complex together while producing optical effects and spectral reflections that play against the surrounding sky, sea and desert landscape. The architecture as a whole “performs” as both an environmentally responsive solution as well as an architecture of spectacle and event. The entire jewel-like composition of the project responds visually and tectonically to its environment to create a distinct and powerful sense of place as well as a breathtaking backdrop to the Formula 1 and other events that the building will celebrate. The Yas Hotel is designed to be a significant landmark destination on Yas Island for Abu Dhabi and the UAE at large.

yas hotel by asymptote

Hani Rashid describes the building’s design and its architecture as: “a perfect union and harmonious interplay between elegance and spectacle. The search here was inspired by what one could call the ‘art’ and poetics of motor racing, specifically Formula 1, coupled with the making of a place that celebrates Abu Dhabi as a cultural and technological tour de force.”

yas hotel by asymptote

Pictures and text from Asymptote/ Via Bustler

VISIT ASYMPTOTE

Grey Goose bar by Pure Sang, Brussels, Belgium

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Antwerp based designed Pure Sang have completed the interior of a bar at the headquarters of vodka brand Grey Goose in Brussels, Belgium. 

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Some info from Pure Sang:

Grey goose vodka asked Puresang to design a full operating bar in their headquarters in Brussels. The design became a very exciting play of blue mirrors, cut in triangles and mounted in 3D against the wall to create more depth and tactility in the rather small space. The client asked for a high-roller drinking environment that could also be used as a meeting room. That’s why the high gloss bar runs over in the meeting table.

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The atmospheric light structure is custom made for this project and reflects the sparkles of ice. The wall at the end of the bar gives the room a dramatic feel without being too ‘product placing’. The bottles are used as a screen that feels as an ice wall.

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Light and projection of light are the main features in this room, creating different perspectives by changing the way you’re located in the space.

greygoose9Photographs are by Frank Gielen!

VISIT PURE SANG

 

CIRCA by 3six0 Architecture, Memphis, Tennessee

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3six0 Architects, designed CIRCA, a new design for a restaurant in Memphis, Tennessee.  The screens frequently seen in buildings facades in Memphis served as the inspiration for this restaurant design.

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Text form the architect’s website:
While these façade screens function to soften the strong sunlight, we employed layers of screens to address the client’s need for “the mayor to have lunch without anyone noticing” while preserving the open face running along a longitudinal side.

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Presented with a very long and narrow restaurant space, we created a defined by screens for areas of dining and bar/reception while maintaining an overall sense of openness. Three different screens were designed to address different programmatic needs. The screens’ patterning morphs to accommodate their function as a wine wall, light wall or curtain. The layered screens of aluminum squiggles and cherry veneer panels separate the dining areas from the restaurant’s main circulation. The screens double as a wine wall which allows the chef to display his full collection of wines. The rear cherry paneled wall is a graphic interpretation of layers of screens collapsed into a two dimensional surface. This paneled wall is backlit from behind and provides a large portion of the dining area and bar lighting. Finally, the pattern is used to cut etched finish film and applied to the 125’ long glass storefront facing the pedestrian arcade creating different degrees of privacy. All screens were digitally cut from the architect’s file and fabricated offsite.

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12_cir8As one passes in between layers of screens or alongside the glazed long side, a moiré pattern, an optical illusion that is formed from layers viewed while moving, appears. In this case, the compound pattern of the layers of screens looks literally like flowing water. It was a nice confirmation….because one of the most hauntingly powerful presences in Memphis is the Mississippi River.

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Via Spaceinvading

VISIT 3SIX0 ARCHITECTS

Market Hall by MVRDV Architects, Rotterdam, Netherland

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Dutch architects MVRDV recently showed there new design with a mixed use project in the  new inner city heart for the Laurens Quarter, the pre-war centre of Rotterdam in Netherland. 

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market hall

The project, comissioned by Provast, includes an open air market, that due to new hygienic constraints of dutch laws has to be covered. It also includes 246 residences, that form an arc that covers the open market area. This results on a 3,000sqm retail area, with a 1,600sqm catering area on the ground level and first floor, a 1,800sqm supermarket and an underground car park for 1,100 cars.

The market hall is a sustainable combination of food, leisure, living and parking. Fully integrated to enhance and use the synergetic possibilities of the different functions. The hall is mainly shpaed by an arch of apartments.  A covered square with a pleasant public security and controllability emerges of it. During day it serves as central market hall, after closing hours the hall will be an enaged living area with light and liveliness enriched by the restaurants situated on the first floor. 

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The interior face of the arc will be covered with LEDs for an ever changing interior. The front and backside are covered with a flexible suspended glass facade, allowing for maximum transparency and a minimum of structure.

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This new icon for Rotterdam is expected to be completed in 2014 and starts in 2010. 

Via Archdaily

VISIT MVRDV ARCHITECTS

Bostoren by SeaRCH Architects, Netherland

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In a forest in the east of the Netherlands, one of the best architecture offices in the Netherlands designed a lookout tower. The structure is part of a small park in the vicinity of the village Putten. The concept that the architect, SeARCH, has put forward works like this: take a circular piece of the forest and put it 36 meters up in the sky. From this elevated ground there is a 360 degree view over the forest, in which cities like Amersfoort appear at the horizon.

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Some text from the architect’s office:

The Schovenhorst Estate is known for its unique variety of trees. Beginning in 1848, the founder of the Estate collected seads from across the world to experiment with which species could grow on the heathland near Putten. This resulted in four collections of species present in the area; the small and the large Pinetum, the Arboretum and the Three Continents forest. 

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The Forest Tower is an additional element to the Estate, a look-out tower on which surrounding trees can be viewed. The tower is designed as a condensed path, rather than a vertical ascension, with each facet of the promenade looking out over the forest. The branches of the tower accommodate several perspectives along the route. Sometimes a view of heaven, then again only branches, the ground or a panorama. 30 Meters above ground you can climb over a net and then, a bit higher, attend a performance within a small theatre. The conclusion of the ascent is not so much an expected look-out platform, but a new piece of the forest. This elevated platform provides ground for experimentation with conifer growth, but also an opportunity for the visitor to rise to a higher place. 

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On the platform, with a diameter of 17 meters and a weight of 480 tons, trees are planted. These trees have been specially selected for this location and were planted at the Estate three years ago in preparation for their unique tour into the sky.

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During special occasions an Indian ‘tipi’ can be folded around the tower’s core. 
Looking up from below, the bottom of the platform is visible; a mirroring rvs copperplate, resulting in a reflection of the surrounding woods. Through this feature, the Forest Tower is further absorbed by its environment. This adds to the counterplay between tower and forest.  

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Photos by Michiel van Raaij
Via Eikongraphia

VISIT SEARCH ARCHITECTS

REFF Competition – 100Spaces Contest – Architecture/Design/Landscape

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RomaEuropa Fake Factory is an international videoart, electronic music, literature, visual arts, design, architecture, landscape and law art competition. It is the detournement of the RomaEuropa Web Factory, a productive, pragmatic critique to the conservative cultural models that continue in their blindness towards the new models enabled by the network.

Here are the Categories for the competition:
- 100Cuts: video art
- 100Samples: music
- 100Quotes: literature
- 100Flash: GIF art
- 100Spaces: design, architecture, landscape
- Law Art: the law as form of art

The theme of the contest is Freedom to Remix. All the competitions require artists, creatives, cultural operators and lawyers, intellectuals and art lovers to question themselves on the subjects of intellectual property and of the models for culture, creativity and innovation currently being enacted worldwide by institutions, governments, big cultural operators.
Can art become a tool to research on the feasibility of new models? Can it promote research and innovation? Can we all simply try to enact innovative models, discussing them as we go along to create a cultural process that is significative in the contemporary world?

VISIT ROMAEUROPA FOR MORE INFORMATION

Barbie Shanghai Store by Slade Architecture, China

barbie store/photo © Iwan Baan

Slade Architecture has designed the first ever Barbie Flagship for Mattel. The 35,000 square foot store holds the world’s largest and most comprehensive collection of Barbie dolls and licensed Barbie products, as well as a range of services and activities for Barbie fans and their families.

barbie store/photo © Iwan Baan

barbie store/photo © Iwan Baan

Slade Architecture led the design including the exterior, interior, fixtures, and furnishings. Slade’s design is a sleek, fun, unapologetically feminine interpretation of Barbie: past, present, and future.
For the new facade, Slade Architecture combined references to product packaging, decorative arts, fashion and architectural iconography to create a modern identity for the store, expressing Barbie’s cutting-edge fashion sense and history.

Barbie_store/photo © Iwan Baan

The facade is made of two layers: molded, translucent polycarbonate interior panels and flat exterior glass panels printed with a whimsical lattice frit pattern. Slade collaborated with designers at BIG, who created the final exterior frit graphics. The two layers reinforce each other visually and interact dynamically through reflection, shadow and distortion.

Visitors are enveloped by curvaceous, pearlescent surfaces of the lobby, leading to a pink escalator tube that takes them from the bustle of the street, to the double-height main floor.

Barbie_store/photo © Iwan Baan

The central feature is a three-story spiral staircase enclosed by eight hundred Barbie dolls. The staircase and the dolls are the core of the store; everything literally revolves around Barbie. The staircase links the three retail floors:
The women’s floor, the doll floor and the Barbie Design Center, where girls design their own Barbie is on this floor. This activity was planned by Chute Gerdeman Retail and designed by Slade Architecture.

Barbie_store/photo © Iwan Baan

Barbie_store/photo © Iwan Baan

barbier store/photo © Iwan Baan

Throughout the retail areas, Slade played with the scale differences between dolls, girls and women. They reinforced the feeling of youth and the possibilities of an unapologetically girlish outlook (regardless of age) by mixing reality and fantasy and keeping play and fun at the forefront – to create a space where optimism and possibility reign supreme as expressions of core Barbie attributes.

Barbie_store/photo © Iwan Baan

Barbie_store/photo © Iwan Baan

Barbie_store/ photo © Iwan Baan

Architect/Interior Designer: Slade Architecture
LocationShanghai, China
Client: Mattel
Construction area: 2,790 sqm
Completion: 2009

Photos by Iwaan Baan!
Via Yatzer and Arch Daily

VISIT SLADE ARCHITECTURE

Royal/T project by wHY Architecture, USA

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Royal/T is a playful collision of art gallery, café and retail shop within a 10,000 sf warehouse in Culver City, California. wHY Architecture designed the space unlike any other, playing upon traditional rules of gallery, retail and restaurant design.

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Rather than the ‘white box’ space, existing walls remained unpainted, and undulating ribbons of ten foot high acrylic walls contain the art and retail offerings in architectural vitrines. It is these vitrines that allow for the juxtaposition of disparate programs that yields a whole that is greater than the sum of its parts. Patrons can dine in close proximity to the multi-million dollar art collection, the only barrier being the hyper-clear, butt-glazed cast acrylic. Diners become voyeurs and participants in the architectural fusion of pop-culture and high-end design. Like a private club, the Washington Boulevard entrance is covered in faux boxwood, with only the Royal/T crown logo in hot pink neon.

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Inspired by the Maid Cafés in Tokyo’s Akihabara district, the highly conceptualized space of Royal/T reflects the interior realm of fantasy that strongly influences the artists included in owner Sue Hancock’s private collection. Recontextualizing the underground ‘okaku’ (geek) culture of Japan that celebrated ‘cosplay’ (costume play), the café servers dress in maid uniforms with a Lolita-esque touch. The look-but-don’t-touch theme continues with the art and retail offerings contained within the acrylic vitrines. Even the requisite café ceiling is acrylic, allowing the existing bowstring trusses to remain visible.

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wHY architecture

Via Archdaily!

VISIT wHY ARCHITECTURE

Longgang City Centre by Mecanoo architecten, China.

mecanoo-architectenDutch architects Mecanoo has won a contract to design the  masterplan for a new business centre in the Longgang district of Shenzhen, China. 

The centre will provide 8000 homes and 400,000m²of commercial space including a hotel, shopping mall and office buildings linked by boulevards, promenades and squares.

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mecanoo-architectenArchitects: Mecanoo architecten, Delft
Location: Shenzhen, China
Client: China Vanke, Shenzhen, China
Area: 961,700m²

More info, click here!

VISIT MECANOO

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Thema: Esquire door Matthew Buchanan.

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