Saxo Bank headquarters by 3XN Architects, Denmark

Saxo Bank - KBH,DK - 3XN

3XN Architects send me these pictures and info from their recent project, the Saxo Bank headquarters.

Saxo Bank - KBH,DK - 3XN

Saxo Bank - KBH,DK - 3XN

Visible from the lively cafes across the water, the new corporate headquarters for a Danish Investment Bank, Saxo Bank has been turning heads since its opening earlier this year.  This striking building, with its playful patterns of white and glass facades, reflects the colors of the surrounding sky and water.  

Inside, the open atrium-lit trading floors are buzzing with activity.  A central spiral staircase creates an open environment with vertical and horizontal sightlines over the young dynamic banking team.

Saxo Bank - KBH,DK - 3XN

Saxo Bank - KBH,DK - 3XN

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3XN designed Saxo Bank’s new headquarter to match the young, dynamic internet bank’s cutting edge profile. The expressive structures balance iconographic qualities with trustworthy solidity, while the inside organization encourages interaction and knowledge sharing, making the building an effective and inspiring frame for modern corporate work life.

Saxo Bank - KBH,DK - 3XN

Saxo Bank - KBH,DK - 3XN

Saxo Bank - KBH,DK - 3XN

Saxo Bank - KBH,DK - 3XN

Thanx to 3XN for the pictures and info!

VISIT 3XN ARCHITECTS

Prada Transformer by OMA/Rem Koolhaas open to the public

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A couple of days ago, the Prada Transformer, a portable, shape-shifting cultural pavilion designed by Office for Metropolitan Architecture/Rem Koolhaas, opened to the the public in Seoul, Korea.

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OMA’s Prada Transformer Opens to Public (Seoul, 25 April, 2009)

The Office for Metropolitan Architecture (OMA) is proud to announce the opening of the Prada Transformer pavilion, a pioneering temporary structure that will be picked up by cranes and rotated to accommodate a variety of cultural events. The pavilion was opened in Seoul today by the Minister of Culture of South Korea and the Mayor of Seoul in the presence of Miuccia Prada and OMA founder Rem Koolhaas.

The 20-metre high Prada Transformer is located adjacent to the 16th Century Gyeonghui Palace in the centre ofSeoul. The pavilion consists of four basic geometric shapes – a circle, a cross, a hexagon, a rectangle – leaning together and wrapped in a translucent membrane. Each shape is a potential floor plan designed to be ideal for the cultural programming unfolding over the next three months: a fashion exhibition, a film festival, an art exhibition, and finally a Prada fashion show. Walls will become floors and floors will become walls as the pavilion is flipped over by three cranes after each event to accommodate the next.

Rem Koolhaas explained the idea behind the Prada Transformer: “Rather than having one average condition, we conceived a pavilion that, by simply rotating it, acquires a different character and accommodates different needs.” Koolhaas added: “The project is exciting to us because it is the first hybrid between Prada fashion and the Prada Foundation.”

The opening event in the pavilion is an exhibition of skirts designed by Miuccia Prada. Titled Waist Down, the exhibition was designed by OMA’s think-tank, curatorial, and publishing unit AMO. On 26 June, the pavilion will be flipped to accommodate a film festival co-curated by Alejandro González Iñárritu, the Oscar-winning director of Babel (2006), and the critic Elvis Mitchell.Another flip will take place on 30 July, transforming the pavilion into a gallery for an exhibition by Swedish artist Nathalie Djurberg, curated by Germano Celant, the artistic director of the Prada Foundation in Milan. The closing event of the pavilion is a Prada fashion show for 500 guests.

OMA/AMO has a long history of collaboration with Prada in multiple disciplines. In 2001 OMA designed the Prada Epicenter Store in New York, followed by the Epicenter in Los Angeles in 2004. AMO has been designing fashion shows for Prada and MiuMiu since 2003 and has been working on prada.com since 2006. Currently OMA is designing new exhibition spaces for the Prada Foundation in Milan.

The Prada Transformer project was led by OMA partners Rem Koolhaas and Ellen van Loon, associates Kunlé Adeyemi and Chris van Duijn and design architect Alexander Reichert. The pavilion was made possible by the support of LG Electronics and Hyundai, Red Resource Inc. and the City of Seoul.

Via Dezeen

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Sheet Lightning Cafeteria by Die Baupiloten, Berlin, Germany

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The Baupiloten design a this new cafetaria within the framework of a new masterplan for the remodeling of the TO Berlin’s main building.  The cafetaria connects two courtyards and provides the space between a new function. 

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The different seasons dictates the color of the light drops. The warmer the outside temperature, the cooler the light color. (and conversely) In the winter the lights have a warm red and orange color as you can see on the pictures. In spring and fall, the colors mix together. Secondly, the time of the day determines the brightness of the light. The diverse lighting created by the ‘ceiling drops’ also influences the  room height.

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The ceiling lining is composed of eight luminous, tear-shaped textile elements which break the formal dominance of the room’s constructive beams. These various forms of lighting affect the perception of height and space. Installed within the volume of the sound absorbing drops are red fluorescent tubes directed downwards and blue fluorescent tubes directed upwards. Together, the lights give off a deep pink glow. The form of the light drops is generated from the pulling forces of the material’s own weight. The underside of the material is formed by a faintly transparent white artificial turf that not only distributes light but also regulates room acoustics.

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Architects: Die Baupiloten
Location: Berlin, Germany
Client: TU Berlin
Project year: 2008
Photographs: Jan Bitter

Via Archdaily / Info and pictures from the architect’s website

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Folded Corten House by x Architekten, Austria

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Task:

The existing building from the 1920s proved itself valuable to the client mainly due to the surrounding garden landscape. Nevertheless, there was the aim to create more space and living quality which was to be realised through revitalisation and extension. The client’s main wishes were the adaptation of the existing building to modern energy standards, a clearer and richer living space, the greatest possible view of the surrounding nature and the integration of garden and terrace areas into the living space and environment.

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Location:

The house is embedded in a rural settlement area on the southern border of the city Linz. Due to the growth of the city over the years, the residential area containing family homes that have a garden slowly became part of the urban area.

From the architect’s point of view, this is mainly visible in the additional extensions of the family homes. The property including a house, a garden and an older stock of trees lies on a slightly inclined slope. The slope side is important here as it divides the property into two levels. The resulting difference in floor levels is balanced out by the existing building as well as the extension.

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Draft:

Coming home to rural outdoor areas of the city, driving towards the house, parking and getting out of the car, entering the house. Every day, people take these “steps of transition” from the public to the private sphere, from the interior to the exterior.

They are mostly accompanied by a series of uninspirationally strung together spatial sequences: the street, the forecourt, the garage, the staircase, the living room. Based on this, the words “Interior and Exterior” were linked by a unique coherent surface as a synonym for “Being at home and coming home” when building the extension of the existing building. This idea is implemented by folding and cutting the Corten steel panel which links the public and private area to become a seamless entity. The driveway becomes the living area, which becomes the supporting ceiling, and which then in turn becomes the terrace, the ceiling, the living area and the exit. Everything is seamless. The deep colour of the Corten steel works by framing and opening the rooms (fitness, sauna and office) and offers generous views and access to the surrounding nature. The extension embraces the archetypically existing building without merging with it. It remains confident and adapts itself at the same time.

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Implementation:

The extension of the living area is carried out with a Corten steel surface which enables us to feel more space and views. Its permanent auburn patina emphasises the steel as a carrying material which imposes structure. Compared with the strength of the steel, the glass panels appear to be transparent and light.

We almost get the impression that they are not there. The steel construction presents itself as a strong and confident counterpart next to the existing building with its plastered façade with heat insulation.

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Via Archdaily / Pictures and info from the architect

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Paco by Jo Nagasaka and Schemata architects office

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The Japanese architects Jo Nagasaka and  Schemata Architecture Office  designed a house contained in a three metre cube.

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Some information from the architect:
PACO is a box of 3m x 3m x 3m cube. And the roof opens. It has the minimum equipments to live in spite of all its size. We produced it as a conceptual model to imagine a new life style.

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Depending on the combination, it describes different life styles and landscapes.

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We want to make it independence by a simple substance. We need the technical skill of infrastructure free. It is possible in the field of technical skill, but it is not practical at this time. First of all, we present our vision as a designer in order to cover the gap.

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More info and pictures => click here 
Photographs by Takumi Ota.

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Burnham Pavilion by Zaha Hadid Architects, Chicago

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The pavilion will celebrate the centenary of 1909 Plan of Chicago and will be open to the public from 19 June to 31 October.

More info and pictures on dezeen!!

zaha hadid

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Urban Parasite by Arhitektura D.O.O, Slovenia

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The spatial development strategy of Slovenia requires the urban densification of town centres, which opens the way to various practices, including the utilization of garret spaces and roof terraces. This approach also offers the possibility to improve their energy and construction, and make technical improvements. “The urban parasite” we used to rehabilitate a run-down and disused terrace of an old apartment block took advantage of the neighbouring construction site. Making use of three cranes, the collaborative effort of their jibs enabled us to lift the huge metallic parts of the “parasite” from the bank of the Ljubljanica River over the high surrounding roofs and inner courtyards on to the terrace of the extension of “Rdeča hiša”.

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The result is a studio flat of 70 square metres, with a kitchenette and bathroom, hanging like a weightless pavilion over Ljubljana, flirting with Ljubljana Castle. A lightweight facade membrane was put over an innovative metallic structure standing on just two columns, enveloping the vacant inner space. To the general satisfaction of the owner, the total building costs amounted to just about € 35,000. “Urban parasite” is evidence of the versatility and innovative utility in apparently useless urban areas.

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Info and text from the architect : Boštjan Gabrijelčič!

VISIT ARHITEKTURA D.O.O.

Tate Modern extension by Herzog &de Meuron, London

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Here are some images of architects Herzog & de Meuron’s extension to the Tate Modern art gallery in London, which was recently granted planning permission. The extension will add a new wing and also convert the underground tanks (below),which  previously  used to store oil for the former power station, into new galleries.

The extension will provide display and exhibition spaces, performance spaces, education and learning facilities, together with ancillary offices, catering, retail and associated support facilities on 24,786 m2 new space.

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More info and pictures on Tate.org !!

Bruder Klaus Chapel in Mechernich by Peter Zumthor, Germany

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The Bruder Klaus Chapel in Mechernich is a small concrete chapel on the edge of a field built by local farmers. The chapel is designed by the Swiss architect Peter Zumthor. 

The structure on the inside was cast in concrete around a cluster of 120 tree trunks, cut from a local forest, which were then slowly smoked away. The meticulous arrangement of the trees into a tear or leaf shape created the oculus that provides the only light for the small dark space.

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The chapel was built to honor Nicholas von Flüe, the patron saint of Switzerland also known as Bruder Klaus.

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Pictures from Danda Gallery

More pictures of Peter Zumthor’s Bruder Klaus Field Chapel in Thomas Mayer’s archive.!!

Peter Zumthor wins Pritzker Prize

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The Pritzker Prize, nobel-equivalent for architecture, laureate for 2009 has been announced: this year the prize goes to Swiss architect Peter Zumthor (1943). More info and images on the Pritzker Prize website. A couple of buildings designed by Peter Zumthor are: Brother Klaus Field Chapel, Kolumba Art Museum, Swiss Pavillion Expo Hannover, Therm Vals, and more.

Photo is made by Gary Ebner.

Blog op Wordpress.com.
Thema: Esquire door Matthew Buchanan.

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