Windshape in Lacoste, France by nArchitects

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Windshape was an ephemeral structure commissioned by the Savannah College of Art & Design (SCAD) as a venue and gathering space near their Provence campus in Lacoste, France. Built by nARCHITECTS and a team of SCAD students over a period of five weeks, Windshape became the small town’s main public meeting space, and hosted concerts, exhibitions, and ceremonies throughout the summer of 2006.

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Windshape was conceived as two eight-meter-high pavilions that dynamically changed with the Provençale wind. A vine-like structural network of white plastic pipes, joined together and stretched apart by aluminum collars, emerged from the limestone walls and terraces of Lacoste’s hillside. Fifty kilometers of white polypropylene string was threaded through the lattice to create swaying enclosures. The string was woven into dense regions and surfaces and pinched to define doorways, windows, and spaces for seating.

By varying the degree of tension in the string, nARCHITECTS built Windshape to respond to the wind in several ways, from rhythmic oscillations to fast ripples across its surfaces. During heavy winds, Windshape moved dramatically, and made a hissing sound akin to dozens of jumpropes. The pavilions took on a multitude of temporary forms over the course of the summer, as they billowed in and out, and momentarily came to rest. In this way, the local winds and the Mistral gave shape to constantly mutating structures. The pavilions were illuminated at night against the backdrop of the Marquis de Sade’s castle, and were visible from as far away as the village of Bonnieux, 5 kilometers away.

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The pavilions’ design reflects a desire to remix the hard and soft landscapes of Provence in an innovative tectonic system. The village of Lacoste appears hewn out of limestone, its streets and network of terraces seemingly chiseled out as voids in the hillside. In contrast, the surrounding fields, vineyards, and lavender bushes form a luminous, soft, and changeable landscape. Windshape refers in its exterior form and angular geometry to the medieval townscape, while echoing the mutating, softer agricultural landscape in its internal experience and dynamic qualities.

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Windshape was a laboratory that allowed us to test the idea of a building that can respond to natural stimuli. Rather than simply sheltering us from the elements, buildings of the future could connect inhabitants to their environment, reminding them of its strength and beauty.

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More info and construction pictures, click here.

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Seattle Library by OMA and LMN Architects, Seattle

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The Seattle Central Library is situated at the corner of a block in the centre of Seattle. On the 412.000sf, the building accommodates an auditorium, a reading room, a mixing chamber a living room, a staff floor, a childrens play area and meeting places. The program is organised in terms of platforms which are connected by several escalators and elevators. 

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New Seattle Public Library

The ambition was  to redefine and reinvent the Library as an institution no longer exclusively dedicated to the book, but as an information store, where all media – new and old – are presented under a regime of new equalities. In an age where information can be accessed anywhere, it is the simultaneity of all media and the professionalism of their presentation and interaction, that will make the Library new.

The library is transformed from a space to read into a social center with multiple responsibilities.

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Architects: OMA + LMN
Location: Seattle, Washington, USA
Client: Seattle Public Library
Project year: 
1999-2004
Constructed Area
38,300 sqm
BudgetUS $169.2 M
PhotographsRamon Prat, Philippe Ruault

More info and pictures on Archdaily

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Yellow treehouse by Pacific Environment Architects PART 2

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It’s not often that a commission to design a treehouse is offered, so when Colenso BBDO – on behalf of Yellow Pages briefed Pacific Environments Architects for a ‘reality’ TV advert for an off-the-wall functioning restaurant, Pacific Environments jumped at the opportunity. Working alongside Tracey Collins and her team , the idea was to source all products and services through Yellow Pages listings (the book, online and mobile). It has paid us to be in Yellow – that’s how we were chosen and we are getting a great profile as a result.

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PEL assisted project managers The Building Intelligence Group, Colenso BBDO and Yellow in the selection of the enormous Redwood tree on which the treehouse is to be built which is over 40m high and 1.7m diameter at the base, on a site north of Auckland.

The concept proved challenging and encompassed a range of consultants to get both Resource Consent, Building Consent and construction underway in a very limited time. We’ve never been involved in a project quite like this before!

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Architectural Concept

The concept is driven by the ‘enchanted’ site which is raised above an open meadow and meandering stream on the edge of the woods.

The tree-house concept is reminiscent of childhood dreams and playtime, fairy stories of enchantment and imagination .
It’s inspired through many forms found in nature -the chrysalis/cocoon protecting the emerging butterfly/moth, perhaps an onion/garlic clove form hung out to dry. It is also seen as a lantern, a beacon at night that simply glows yet during the day it might be a semi camouflaged growth, or a tree fort that provides an outlook and that offers refuge.The plan form also has loose similarities to a sea shell with the open ends spiralling to the centre .

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It’s the treehouse we all dreamed of as children but could only do as an adult fantasy.

Access is via a 60m tree-top ‘accessible’ walkway -an adventure in itself.The selected site and tree had to meet a myriad of functional requirements -18 seated people and waiting staff in relative comfort complete with a bar; gaining correct camera angles with associated light qualities for filming the adverts, web cam and stills, have unobstructed views into the valley and entrance to the site and structural soundness . The final selected tree is one of the larger trees on the site and sits above a steep part of the site which accentuates the tree’s height. Kitchen/catering facilities and toilets are at ground level.

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Architects: Pacific Environments
Location: Auckland, New Zealand
Project year: 2008-2009
Photographs: Lucy Gauntlett

Blog that keeps you up to date: http://www.yellowtreehouse.co.nz/  (live webcam, pictures and video)

Other posts off the Yellow Tree House on archide, click here

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Muritzeum by Wingardh Architects, Germany

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Visitor centre for the region “Mecklenburgische Seenplatte”. A unique central point in Waren in between Müritz, the older town centre and the surrounding countryside. The Müritzeum museum includes a freshwater aquarium, multimedia exhibits, restaurant and a shop.

Architects: Wingårdh Arkitektkontor
Location: Waren (Müritz), Germany
Construction Year: 2005-2007
Partner in GermanyDGI Bauwerk, Berlin Germany
Constructed Area3,137 sqm
Photographer: Wingardh

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Kvadrat showroom by Peter Saville and David Adjaye, London

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The graphic designer Peter Saville and architect David Adjaye have collaborated to design a new London showroom for the Danish fabric producers Kvadrat, which opened yesterday.

The showroom is located in a former Victorian factory and includes a staircase with coloured- glass balustrade with can also be used as seating for viewing projections on the opposite wall. 

More info and pictures? Click on DEZEEN

F House by Katsufumi Kubota Architect, Japan

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F House is a small house designed by the Japanse architect Katsufumi Kubota. It is a unusual house with a front facade so precise that it looks almost fake.  The contemporary geometrical facade is very precise, clean, striking en structurally very provocative. 

Every detail of the house seems exact, getting to the point where you can’t tell is a photograph or a rendering. The interior is as pristine and intriguing as the exterior with its perfectly smooth concrete. 

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Mountain Dwellings by BIG Architects, Copenhagen, Denmark

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Mountain Dwellings, is a project consisting of apartments above a multi-storey car park designed by the Danish architects Bjarke Ingels Group or BIG. The building is located in Copenhagen, next to VM Houses, completed by BIG and Julien de Smedt Architects in 2006.

The 80 apartments are arranged on a sloping “hillside” above the car park that has space for 480 cars.

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Text from the architects:

How do you combine the splendours of the suburban backyard with the social intensity of urban density? The Mountain Dwellings are the 2nd generation of the VM Houses – same client, same size and same street. The program, however, is 2/3 parking and 1/3 living.

What if the parking area became the base upon which to place terraced housing – like a concrete hillside covered by a thin layer of housing, cascading from the 11th floor to the street edge? Rather than doing two separate buildings next to each other – a parking and a housing block – we decided to merge the two functions into a symbiotic relationship.

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The parking area needs to be connected to the street, and the homes require sunlight, fresh air and views, thus all apartments have roof gardens facing the sun, amazing views and parking on the 10th floor. The Mountain Dwellings appear as a suburban neighbourhood of garden homes flowing over a 10-storey building – suburban living with urban density.

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The roof gardens consist of a terrace and a garden with plants changing character according to the changing seasons. The building has a huge watering system which maintains the roof gardens. The only thing that separates the apartment and the garden is a glass façade with sliding doors to provide light and fresh air.

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Morimoto Restaurant by Tadao Ando, New York

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The Japanese architect Tadao Ando, was chosen to design the Morimoto Restaurant. The Chef Masharu Morimoto, decided to make his New York solo debut in 2006 with the opening of a new restaurant. 

The bi-level restaurant is separated into a 160-person seated dining area and a 40 person lounge in the lower level. Ando achieves a Zen-like serenity throughout the space by using glass privacy walls between tables, rice paper walls, and an organic ceiling that resembles the raked sand of Eastern rock gardens.

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The ‘bottle wall’, is composed out of 17,400 half liter plastic bottles, filled with mineral water and LED lighting. The combination of the led’s en the bottles, are producing a shimmery effect in the space. 

An another restaurant of Morimoto in Philadelphia, is designed by Karim Rashid.. More info on Morimoto Restaurant. websites

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Via Coolboom

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TBWA \ HAKUHODO by Klein Dytam Architecture, Tokyo

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Klein Dytham Architecture transformed an old bowling alley in a large 8 story amusement complex in downtown Tokyo. The amusement complex was still in use with bewling and golf driving ranges on the floors above and below, but the center two floors were empty. TWBA/ Hakuhodo company mantra is ʻdisruptionʼ and we felt that locating the new agency here would be a wonderful way to disrupt the agency’s clients expectations when they visit the space. It suggests that the agency ʻthinks differentʼ even for themselves!

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A central park runs through the middle of the space and a series of shelters for meeting rooms, project rooms and director’s offices generate a small townscape in the space, where the raised areas on top of the shelters make for pleasant breakout spaces.

Bowling alleys are 4great because they are column free, and after removing the suspended ceiling we revealed a double height space. This also revealed 2m deep down-stand beams which we re-clad integrating lighting and air-conditioning. The over riding rhythm of the beams naturally lead us to arrange the desks in ʻbowling lanesʼ with circulation between them. A central park runs through the middle of the space and a series of shelters for meeting rooms, project rooms and director’s offices generate a small townscape in the space, where the raised areas on top of the shelters make for pleasant breakout spaces.

The office is entered on the 6th floor of the building. This floor acts as reception, gallery and meeting space for external visitors. A wide stair descends onto the main floor arriving in the central park cafe area. Stepped seating and a large plasma screen allow this space to be a very flexible presentation space. The space is not only used by T\H but also for collaborative events with their clients such as receptions, fashion shows, product launches often resulting in happy parties. 

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Info and text are from the architect.

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BMW Museum by Atelier Brückner, Munich, Germany

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Architects Atelier Brückner designed the scenography of the new  BMW Museum, which opened in Munich last year. The project involved the renovation of the existing Museum bowl (which you can see on the left on the picture) on the site of BMW’s headquarters and building a new space for 4000 square metres of exhibition space. 

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The new BMW Museum in Munich has a modern and dynamic language, which is related to the language of the automotive world. The museum opened on June 21st 2008 and sets a new standard in the realm of brand focused automotive- museums.

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ATELIER BRÜCKNER GmbH, Stuttgart
- Master Planning, General Planning Museum
- Architecture
- Exhibition Design
- Scenography

Project Commencement: 2003
Start of Construction Work: November 1st, 2006
Opening: June 21st, 2008

Total Budget: 80 Million Euro

Exhibition Space: 5,000 m²
Net Total Area: 10,000 m²
Gross Floor Area: 12,200 m²

 

For more information and pictures, please click here to dezeen!

Building photographs by Markus Buck. Model photos by Sebastian Schröter

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Blog op Wordpress.com.
Thema: Esquire door Matthew Buchanan.

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