Villa Berkel by Paul De Ruiter, Netherland

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Villa Berkel is a villa located in Veenendaal, Netherland. It is build on a site what was formerly occupied by a bungalow dating from the nineteen seventies. The owners wanted to remodel the bungalow, but decided on the advice of Paul de Ruiter to demolish the bungalow and make room for a completely new design.

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The new villa, covered with dark wood and glass, maintain the line between inside and outside, between private and public, dividing the plot in three long strips at right angle to the road. The bottom and southernmost strip is reserved for the garden, the middle strip contains the villa itself and the most northerly strip provides access to the house, with the drive and parking space.

The house is also divided into three strips. The easter section, on the street side, contains the public functions: entrance, study, kitchen and sitting room; while the western section, furthest from the street, is reserved for the intimate activities: corridor that acts as TV lounge, bedrooms and bathroom. Each function has its own zone within the house, which can be cut off by translucent sliding walls.

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The house is entirely focused on the garden. Every room in the villa looks directly out on to the garden. The spacious wooden terrace forms a room outdoors, with an integrated bathtub, partly covered by a wooden awning supported on steel brackets.

 

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ArchitectPaul de Ruiter
LocationVeenendaal, Netherlands
Project Year2003-2004

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3XN wins architecture competition for the Randers Museum of Art

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The new Randers Museum of Art in Denmark will be a building both extrovert and introvert in nature; with reinterpreted classic Danish roots. 

In itself a sculpture sitting in a sculpture garden, the new Randers Museum of Art will be a transition point between town and landscape, art and nature.  Opening up at one end towards the town – and at the other towards the landscape; the Museum will merge these two concepts through the experience of the works of art within it.  The architectural expression is playful, blurring the lines between art and museum.  Using soft transitions, the red-tile façade of the exterior becomes the roof, and similarly on the inside, the floor becomes a wall, and then the wall a ceiling.  The building also merges tradition and innovation incorporating the long Danish tradition of building beautiful and durable buildings in materials taken from the earth on which they are built. 

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‘It was important for us to create a building that was both open to the surrounding environments and yet allows for an intimate experience of the works of art inside.  The new Randers Museum of Art will first and foremost be a frame for the art it contains; but we have worked very hard to create a connection between the art, the nature and of course the community.  It has been a privilege to work with the kind of synergy that results from working with art on the inside and nature on the outside,’ says Kim Herforth Nielsen, Principal Architect and Creative Director at 3XN.

Randers Museum of Art will be a prominent new landmark at the entrance to the town of Randers and alongside the Guden River.  At a size of 7.550 m2, the Museum will house three exhibition galleries, an auditorium, café, boutique and a range of administrative facilities.  The main exhibition gallery will house the Museum’s considerable collection of Danish art – directly connected to the landscape depicted in so many of its works.  The temporary exhibition space balances the national emphasis with its international potential; and a connecting transition between the galleries will be the Dalsgaard zone, named for Danish surrealist painter Sven Dalsgaard – of whom the Museum carries one of the world’s most significant collections. 

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The Official awarding of the competition winner selected for the New Museum of Art happened today at The Randers Art Museum in Denmark.  Director of the Randers Museum of Art, Finn Terman Frederiksen announced the winner from a group of 5 teams including Zaha Hadid, Behnish Arkitekten, CoopHimme(l)blau and entasis a/s.

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Many thanks to 3XN for sharing this information.

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Sake Bar Made From Rope by EAT Architects, Melbourne, Australia

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Architects EAT  designed this Sake Bar in Melbourne, Australia.

The ropde idea originated from the classic design of sake bottles, which are traditionally secured with ropes. The rope idea originated from the classic design of sake bottles, which are traditionally secured with ropes. The principle material for this project consists of Manila ropes, timber and concrete. Materials had to reflect on natural elements such as vegetation and earth.

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They took a different path with the first floor function room, which is in stark contrast with the ground floor rope room. Here they have created a modern, minimalist space with white washed walls, Japanese black stained timber flooring, simple timber benches and raw stainless steel canopies.

The interior of the bar demonstrates possibility of using ordinary materials for hospitality projects without compromising sophistication.

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Via The Cool Hunter

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Kapero office by N59 Arkitekter

01 N59 Arkitekter designed this new office for Kapero. Kapero is a firm that helps companies improbe the efficiency of there marketing. The architects designed the whole office in white elements, with details in yellow.   The arrows from Kapero’s logo has been used as handles on cabinets and simple pattern on certain walls. The space where the office is located, is just 200 sq ft but the architects N59 made it feel much bigger by colour.  0304     02

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 Via Below the Clouds

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MUMUTH, Music Theatre in Graz by UNStudio

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The Haus für Musik und Musiktheater MUMUTH in Graz, Austria, will open her doors on 1 March 2009. The theatre is designed by the dutch architects UNStudio. 

The theatre is a part of the University of Music and Performing Arts Graz and can seat up to 450 people. 

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Info from the architect:

The building consists of one horizontally directed spiral whose ends are interwoven with its middle part to generate the internal organisation. Differentiating the spiral allows for creating buffer zones between the functions as well as fulfilling the different spatial needs of the various programme parts. The spiral organisation allows for transition zones, offering acoustic buffering as well as forming a secondary routing system which gives the performers a side path, connecting the internal, private functions. Central in the concept of the building is the large room that can be flexibly used as working place, concert room and music theatre. Attached to this central room are a cafetaria, technical spaces and dressing rooms.

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“We saw the spiral as the organizing element of the MUMUTH in much the same way as Se00rialism works in contemporary music.” Ben van Berkel, Caroline Bos

Of the design of MUMUTH Architect Ben van Berkel says: “The desire to make a building that is as much about music as a building can be, has been a constant throughout the nearly ten years that it took to build the theatre and the themes that are at the basis of the building and its overall organization have also endured throughout this time.”

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Client: 
   Building: BIG, Bundesimmobiliengesellschaft m.b.H. 
   Interior: KUG, University for music and applied art, Graz 
Program: University faculty building 
Gross floor surface: 6.200 m² 
Site: 2.745 m² 
Construction year 2006-2008 

Photos are made by Christian Richters.

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Reed Space by Upsetters architects, Tokyo

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Upsetters architects, completed this shop interior two years ago. Reed Space is a shop in Tokyo, designed by the Japanese architects Upsetters. The whole store is designed in shelves made of chairs.

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The following info is from the architects:

Having a concept from Jeff Staple as “Cultural Community Center”, we focused on how commercial space could co-exist with the pubilc space. To make the space more open for people who is not fimiliar with design or art, even those not knowing the shop, we tried to make the boundries of the inside and oustide uncertain.

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The symbol of the community center, same as the NYC shop, we used the small wooden chair for the design, which is attached against the wall and also used on the door to the restroom. Jungle jim, also a symbol of a park, is made to be multi-use for stairs and shelf.

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These plans are selected to covey the message of “Cultural Community Center” in a playful way for people to enjoy the space. Every detail is thought out to make the space simple as possilbe.

From the ceiling, there are 16 speakers that looks like a light bulb, the sound flows down. The sound plan was done with Komatsu Sound Lab. These details makes the people not only to shop, but to make them comfortalbe to stay longer.

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The division of the gallery space is made by the difference of the floor height. Also the chairs on the wall are able to be taken off, which enables the gallery wall to be bigger or smaller. These attention to the boundries of the two spaces makes the both space’s functions to be independent, and involved in a certain way.

We hope that this place will be a communication space where people could meet with creativity.

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Via Dezeen

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Birkbeck College by Surface Architects

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Surface Architects won this commpetition to design  the permanent home of the Film & Visual Research Center in the Birkbeck College.

They transformed the basement, ground floor and the extension into a unique 80 seat cinema auditorium, surrounded by a media study suite, seminar rooms and offices. The beak-out spaces and stairway are an exuberant display of pure form and color.

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The Centre is a prestigious research facility within the School Of History of Art, film and visual media. Its located within a Grade 2 listed terrace once occupied by Virginia woolf and the Bloomsbury Group. They transformed the basement, ground flour and the extension into a unique 80 seat cinema auditorium, surrounded by a media and study suite, seminar rooms and offices for the academics.

The beak-out spaces and stairway are an exuberant display of pure form and color as you can see on the pictures.

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Birkbeck College, Film Studies – Centre for Film & Media
Location: Gordon Square, London

Client: Birkbeck College
Budget: £1.15 M
Status: Completed February 2007

Click here for a online Web Brochure/ portfolio by Surface Architects (pdf)


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Nordpark Cable Railway by Zaha Hadid Architects, Austria

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Zaha Hadid Architects designed the following four stations on the Nordpark Cable Railway in Innsbruck, Austria. 

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 Starting at the station of Congress in the center of the city, the Nordpark Cable Railway travels to Loewenhaus station before crossing the river, ascending the Nortkette Mountain north of Innsbruck to Alpenzoo station.

To create the streamlined aesthetics of the station, Zaha Hadid used state-of-the-art design and manufacturing technologies developed for the automotive industry.

 “The railway reflects the city’s continued commitment to the highest standards of architecture and pushes the boundaries of design and construction technology. These stations are the global benchmark for the use of double-curvature glass in construction.”
Zaha Hadid

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Photos by  Hélène Binet.
More info and pictures on Arcspace, click here

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P.S.1 Summer 2009: Blow Up by BSC Architecture

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NY-based architects BSC Architecture was a finalist this year’s in MoMA/P.S.1 Young Architects Program competition.  BSC Architecture was not the winner but designed a very interesting and beautiful pavilion.

(Click here to view the winning project by MOS) link to Bustler

For more than a decade, the annual MoMA/P.S.1 Young Architects Program has challenged emerging architecture firms to temporarily remake the P.S. 1 courtyard within strict limits of time and budget, serving as a kind of stress-test of the state of contemporary architectural practice.

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The issues of our time call for a renewed excitement about the joys of lightness, precision and efficiency. PSi: Summer Blow Up transforms the environment of the existing courtyard using an absolute economy of physical material: less material deployed means less mass transported to the site; less material discarded at the end of the summer, and a minimum of resources consumed in the processes of manufacturing, fabrication and removal.

Beginning with the ideal of a cloud, the lightest and most economical source of summer shade, PSi uses air as a structural medium to inflate and suspend diaphanous volumes of ultra-lightweight fabric over the concrete and gravel courtyard. The geometric form of the torus, a perfectly efficient pneumatic shape, provides the basic unit that is repeated, interlinked and modulated to form a hovering cloud.

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shadowsAs with a true cloud, microclimates of shade and sun; humidity and dryness are created. Patterns of overlapping shadows animate the hard surfaces of the courtyard, providing respite from the sun on a hot day while apertures in the centers of the translucent toruses, like gaps in passing clouds, frame views of the sky above. Widely varying in size and height, the toruses are subtly deformed by internal pressure in response to the various activities of the shady space below: reclining, splashing, sunbathing, chatting. Concealed strips of clear material sewn into the fabric activate the glowing volumes of the inflatable with slowly moving arcs of sunlight. As the afternoon stretches into evening, and the sun lowers over the city, the cloud glows, bathing partygoers in a soft light.

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The torus clouds touch down with seven inflated legs which modulate and subdivide the space and experience of the courtyard. As one walks through, views alternately open and close; the space is impossible to fully understand from any single position.

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PSi will be prefabricated offsite and installed in a matter of hours. In its entirety, the material and equipment necessary for the installation will weigh less than one ton and amount to a single load on a pickup truck. For the duration of the installation the small amount of energy necessary to power the fans will be offset by electricity generated by air, in the form of wind, at a site in upstate New York. Finally, in a departure from past installations, the project is designed to be easily redeployable, and will have a life beyond the approaching summer.

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 Via Bustler / More info and pictures on studio BSC Architecture

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Soft Space for Sony PSP by MA0 architects

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This pavilion was designed Sony PSP at the Rome Film Festival last year. The walls of the construction were made out of a translucent lycra where you could sit in to try a new PSP.  The design team that has worked on this temporary structure are: Ketty Di Tardo, Alberto Lacoveni, Luca La Torre of the Italian architects ma0.

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Via  Judit Bellostes

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Blog op Wordpress.com.
Thema: Esquire door Matthew Buchanan.

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